Malevolence have only been around for a few years, yet have already made a massive impact on the metal/hardcore scene. Their 2013 release Reign Of Suffering saw them quickly become favourites and gave them the opportunity to play shows all around the world.
Three and a half years on, it’s less than a week till the release of their new album Self Supremacy. With it being announced back in March, fans all over the world have been counting down till May 19th to experience what the band have been cooking up.
Jumping straight into the album with the title track, ‘Self Supremacy’ it feels like it’s been ripped straight from their debut. The familiar tone of guitar and Malevolence’s unique drumming welcomes the fans back into the new album slowly, as well as heavily implementing Konan’s vocals which make more than an appearance in the release. This track paired with the equally batshit crazy ‘Trial By Fire’ creates an opening to an album that will go down as one of the heaviest in history.
After being taken on their first big European tour back in 2013 by Comeback Kid, Malevolence decided it would only be fair to ask Andrew to feature on ‘Severed Ties’. In an interview, drummer Charlie Thorpe said “We knew he’d come through with something sick, but he exceeded all expectations” and the combination of Andrew, Alex and Konan on one song is nothing short of an ingenious idea. The other track with a guest feature comes in the form of the second single ‘Wasted Breath’. This time featuring Kevin of The Merciless Concept – it seems a weird pairing but mixed with the melt-your-face off beatdown, it creates one of the heaviest songs on the album.
On every album there’s always a song that will be a hit live, and Malevolence have created that experience with “Body Count”. A delicate concoction of riffs, beatdowns and gang vocals will have the quietest of crowds getting rowdy. Breaking up the brutality is a little number called ‘4AM on West Street’. A pure instrumental interlude with a sinister twist is sure to be the intro when the band tour the album later this month, finishing with a clip from the TV show The Wire it brings us into the next track. “Slave to Satisfaction” was the first single released and is easily one of the best tracks on the album. Konan is heavily involved and the vocals between the pair are malicious which pays off extremely well, and the Crowbar influences are very prominent throughout the track. The sludge-esque breakdown is one of the most rememberable pieces of the song, if not the whole album and will be stupidly heavy when played live.
The second half of the album is when Malevolence really come into full force, whether it’s the hard as fuck beatdown and ‘MLVLTD’ chant at the end of “Spineless” or the blast beat and punchy riffs filled “Outnumbered”. One song that really stood out in their previous release “Reign Of Suffering” was “Turn To Stone” due to the musical excellence that flowed throughout the 8 minutes and if you were expecting another track just like that, you won’t be disappointed – this time coming in the form of “True Colours”. Predominately Konan, it showcases everything that Malevolence are made of, and with the spine chilling riffs and stupendous drums by Thorpe complementing each other outstandingly it’s a standout across the bands discography, let alone this album.
Genre defining is not a term to be thrown around lightly, but this album is a true representation of what hardcore and metal can be when mixed together perfectly. They’ve matured immensely and the work put into this is evidently second to fucking none. Do not even try and compare “Reign of Suffering” and “Self Supremacy” as they’re both modern classics and with both albums to play with, Malevolence will put on a hell of a show when they tour in a couple of weeks. This album has been massively hyped in the underground scene and it easily exceeds any expectations you may have.
Malevolence embark on a three week long tour starting in a couple of weeks time bringing along No Zodiac and Revulsion to join the party. Pre-orders for the album can be found over on BDHW Records.