Vancouver’s Without Mercy released their latest EP Mouichido in May 2016. Mouichido is the Japanese word for “repeat”, and is perfectly titled for the EP to signify its re-release of previously recorded versions that now feature new vocalist Alex Friis and bass tracks recorded by Tristan Martin, plus live performance being done by Ryan Loewen. Newly added to the EP was also a guest appearance by vocalist Mark Hunter of Chimaira on the track In Waves, which the band has released a new lyric video for and teamed up with Bravewords.com to exclusively premiere.
Clean Cut Kid have officially announced the release of their debut album Felt, which will be released via Polydor Records on 28th April. Preceding this is lead single Leaving You Behind.
Clean Cut Kid have also announced that they will be supporting Mercury Prize-nominated Michael Kiwanuka on four select dates of his UK Headline Tour. This includes a sold out show at London’s prestigious Royal Albert Hall on 5th May. This is in addition to the band’s own UK headline tour which includes a show at London’s Scala and ends in their biggest hometown show to date at Liverpool’s O2 Academy on 20th May.
28th April Glasgow King Tuts
1st May Glasgow O2 ABC (w/Michael Kiwanuka)
2nd May Bristol Colston Hall (w/Michael Kiwanuka)
4th May Cambridge Corn Exchange (w/Michael Kiwanuka)
5th May London Royal Albert Hall (w/Michael Kiwanuka)
6th May Birmingham O2 Institute
8th May Bristol The Exchange
9th May Brighton Patterns
10th May London Scala
12th May Manchester Sound Control
20th May Liverpool Academy
Skulthor Ebonblade, the concept album by doom metallers Temptation’s Wings, is due for release on 10th March. The album is a self release. The vocals are reminiscent of Disturbed.
The story of the album is about legendary warrior Skulthor who returns to find his village burning in black flames, and catches a glimpse of a witch as she disappears behind the smoke. He sets off on a quest to obtain a sword of great power (Ebonblade), so he can avenge his clan but loses his humanity along the way only to have to rediscover it to ultimately obtain revenge he sought all along. The story would make a great real time strategy game, or even a movie.
Skulthor Ebonblade opens with Burning of Hjalmar, an instrumental track that tells the tale of the warrior discovering his home village burning. The album really kicks into gear in the next track, I Destroyer. Musically there are lots of different themes as the track evolves over the five and a half minutes it plays for.
Into the Maelstrom contains plenty of instrumental sections, showing the diversity Temptation’s Wings, as they don’t need to solely rely on lyrics to tell a story. The epic 7 minute 46 second To Forge A Legend (Ulfberht) also has solid instrumental sections, but each section evolves like I Destroyer did.
The first really different track is Lair Of The Gorgon Queen, which starts off with clean broken chords on guitar, before adding in the distortion and other effects with the typical metal chug. The different musical themes are tied together really well by Temptation’s Wings and this is one of the best tracks on the album.
By the time the listener is halfway through the album they are invested in the story and want a satisfactory ending. It’s not clear yet whether the hero will emerge victorious. Due to the lack of screamed vocals, even casual listeners would find something to enjoy in Skulthor Ebonblade.
The longest track at a whopping 9 minutes and 41 seconds is Witches of Dredmoor, however there is less musical evolution in this track than in previous tracks. Musically, this is the only track on the album that lets it down.
The final track, My Name Was Skulthor, opens with a gritty bassline that draws the listener’s attention back. This bassline continues throughout the track, keeping the listener focused. There are sections where it varies slightly, but the main theme is the same all the way through. There is even a bass solo about two thirds of the way through the track, which is really refreshing as most metal groups focus on guitar solos.
Although only an 8 track album, each track contains a lot of lyrical content to really move the story along. The majority of the tracks are also longer than the typical 3 minute songs that listeners are used to. A lot of different techniques are used in the performance of Skulthor Ebonblade, counterpoint, harmonising vocals and guitars, and the use of different dynamics are just a few examples.
A Trust Unclean, death metallers from Oxford, have signed to Basick Records, announced a new EP and released a new video.
The new EP will be titled Parturition, and will be released 2nd June. To celebrate, they have released the video for To Encompass And Eclipse. Parturition will debut the talents of the group’s new vocalist and drummer.
Pvris, who are supporting Muse for their US shows this summer, have announced a second London show due to demand. They sold out O2 Shepherd’s Bush in minutes, and have added 5th May to their tour.
4th May – O2 Shepherds Bush Empire, London, UK SOLD OUT
5th May- O2 Shepherds Bush Empire, London,
8th May – Trabendo Paris, France
10th May – Melkweg, Amsterdam
11th May – Columbia, Berlin
Tickets are on sale via Pvris‘ website.
Deez Nuts have been announced as the main UK support for Suicide Silence on their upcoming tour. Playing alongside both bands will be Venom Prison.
19.03.17 Southampton – Engine Rooms
20.03.17 Manchester – Club Academy
21.03.17 Glasgow – Garage
22.03.17 Birmingham – O2 Academy 2
23.03.17 Bristol Marble – Factory
24.03.17 London – KOKO
The tour is just a few days prior to the release of Deez Nuts‘ upcoming album which is set for a worldwide release on 7th April.
Art of Anarchy have released a lyric video for their latest single No Surrender, which is also the debut for their new vocalist Scott Stapp of Creed. Their new album The Madness is available for pre-order on Amazon now.
Saturday night was a great night in Nottingham for the local metalheads – Trivium were back and headlining the stage at Rock City. Supported by the recently popular Shvpes and Sikth, who were unfortunately missing a guitarist, it was with mixed feelings the crowd entered the venue.
Shvpes had a very energetic front man, who engaged the crowd extremely well and got them pumped. Their 7 song set was short, but the crowd were singing along by the time they played Skin & Bones. The vocalist was constantly calling for a circle pit, and repeatedly spoke to the crowd and tried to get them as hyped as he could for the following acts.
Up next were Sikth, and although they were down a guitarist, it didn’t stop them from giving the performance 110%. The prog metallers have two lead vocalists, and although it seemed like this might be overwhelming, they both incorporate different styles into their performances and blend them together really well. The crowd gave Sikth positive reactions, singing along and giving them a circle pit. Shoeless guitarist Dan managed to fill the empty guitar space with some insane prog metal riffs that the crowd went crazy for.
Finally, out came Trivium. The crowd knew what was coming with a stage set up of a huge stone throne for drums. The trademark Trivium skulls were also present. The entire performance was planned, but it felt like the group were just going through the motions, all the way from Rain to Pull Harder On The Strings Of Your Martyr. However, that didn’t stop the crowd from getting into the performance and vocalist Matt Heafy frequently asked the crowd for help on the vocals.
The five piece from Portsmouth known as Provoker will self release their debut EP, The Long Defeat, on 6th March. Provoker is made up of former members of the groups Munoe Effect, Housefires, Attention Thieves and Elephantis, and share a love of heavy music and live performance.
The Long Defeat opens with Admission, immediately heavy and drawing the attention of the listener. Non-fans of heavy music will quickly switch off, but fans will appreciate the varied singing and screaming vocals between the lead vocalist and the backing. Provoker sound like a more gritty and edgier A Day To Remember without the pop punk vibe, and a better mixed and mastered Gallows.
Up next is the heavier Solitary, however the chorus lightens off the song due to the sung vocals and the guitar melody immediately afterwards. It is the sort of track that would inspire a mosh pit, and could potentially have a great light show to go alongside it.
Bang in the middle of the EP is Adopt Adapt which starts off with straight chords and a solid drum beat but tapers off into broken chords and the drums perform stops, before the song actually starts. This track is more riff based than the others, particularly under the vocals in the verse.
Accountable is more like typical metal, Provoker launch straight into the track without introductions. However at the end of the track, the instrumental section quietens down and evolves into a more alternative track, ending with a guitar solo, which is unconventional for a standard song.
The final track, Empty, starts the same way as Accountable, however where Accountable channeled a more Gallows vibe at the beginning of the track, Empty channels a Lostprophets vibe. However both tracks seem to swap over halfway through, so Accountable ends sounding more alternative, whereas Empty sounds more typically metal in the middle, before introducing an instrumental section.
Throughout The Long Defeat it becomes clear that Provoker aren’t a typical chug chug metal group, they are more musically complex. The chords they use are generally higher up the neck of the guitar than is usual for this genre of music, providing a nice contrast to the bass, drums, and lower toned vocals. The riffs that are used under the vocals sit nicely without overpowering the tracks. The EP leaves the listener wanting more, and is a great introduction to the group.