Grime rockers Astroid Boys have had their debut album announced a few weeks now, and the reaction it’s getting is pretty mega.
In case you missed it, the album will be titled Broke and it is due out September 29th. Preorder it here.
The band’s MC Traxx said of the album: “This album is called Broke, because we live in a broken society with a broken system, broken education; a broken world. Sometimes this can leave you feeling broken. First step to making a change is to recognise the problem. Being broke scares most people to death because we are taught that money = happiness, and without it we can’t survive. Says who? I’ve had some of the best nights of my life without a single penny in my pocket. I could never be Broke.”
Taking to the stage first was Midlands acoustic man Luke Rainsford who brought in a fair crowd considering he was first up and had come a long way. Opening with Home Safe, Luke played through material from both of his full length albums with aplomb as he always does, blowing away both fans and first timers alike with his honest lyrics and catchy hooks. Closing with his personal favourite track Frame, Luke looked as though he was going to cry as he screamed out “I know that I’ll never learn” to an already emotional crowd as the cathartic close to a set that always seems to short from his restrictions – just about the only criticism that can be made about his live shows. [9/10]
ICYMI took to the stage in the difficult situation of following Rainsford, but the energy and vocal ability of frontwoman Elin Allan stood them in good stead for the set to follow. Playing through their tracks proved to be fairly hit and miss up to their cover of NSYNC‘s Bye Bye Bye (yes, really) which turned the whole set around. The version featured heavy guitars and the attitude of Allan shining through to sweeten the crowd up before finishing with their single Get Out to finish off the set. The band have big things coming towards the end of this year, so keep an eye out – they’re one for the future. [7/10]
As the only local band of the night, pop punkers All These Years took to the stage. It appeared throughout that the band weren’t particularly well known among the onlookers but pretty quickly gained some fans with their more punk-influenced tracks as they hopped about the stage being generally offensive in the best possible way. Playing through the material from both EPs and latest single What Was Left Unsaid, All These Years put life into what was previously a fairly still crowd, perfectly filling their role as a support for the show. [8/10]
Coming off the back of their debut EP release a couple of weeks ago, touring newcomers Maypine were absolutely filled with confidence hitting the Camden attic’s stage. They played through the EP’s five tracks with a couple of additional originals, but the real gem in the set was their emo rendition of Fix You by Coldplay which they released back in July (if you’re curious, listen here). The set was filled with enthusiasm, talent and hope – qualities that can are lacking in a lot of new touring bands, which are virtually never captured in the same capacity as Maypine have them. [9/10]
Finishing up the night came Better Than Never who, surprisingly, drew less of a crowd than Maypine though the remaining audience were the rowdiest of the night by some margin. Blasting through both EPs, frontman James Harris bounced around with no visible intention of slowing down as he hyped up the crowd. Later, some growls mid-song produced a few looks of confusion from those not fully aware of Forty Eight from the band’s latest collection Head Under Water as they expected more pop punk tracks, but that didn’t subtract from any enjoyment on anyone’s faces. Towards the end of the set, Luke Rainsford was floating around the front of the crowd making gestures before he (somewhat unsurprisingly) made another appearance to duet Panama with Harris. A good performance to round off the night. [8/10]
X Ambassadors are back, and they’re here with new material. The new song is called Ahead of Myself, and it comes as the first taste of new material from the New York rockers since their 2015 debut album VHS.
In addition, the band have announced a show in London following their upcoming appearances at Reading & Leeds festivals. It will take place at Student Central in London (formerly University of London Union/ULU) on 29th August, so it will be a pretty intimate event! Grab tickets here.
That’s right, Frank Iero and the Patience will be releasing brand new material less than a year after their 2016 debut album (since the name change), Parachutes.
The new songs will collectively be known as the Keep The Coffins Coming EP which will hit the shelves on 22nd September this year via Hassle Records who released Parachutes last year. The collection also features artwork designed by Krokodil guitarist and BBC Radio 1 Rock Show’s Daniel P Carter.
Frank said: “When we were done touring .stomachaches., I talked to my manager Paul about what we should do. I had my bucket list and one of the things on there was to work with Steve Albini. Paul asked how long I’d wanted to work with Steve and I was like, ‘Since I was, like, eleven!’ I wanted to make a Steve Albini record. Paul said he’d call him and I was like, ‘You can’t do that… that would be weird. Don’t do it.’ And he was like, ‘That’s my job!’ He called him, Steve said he could do it and he had three days. Next phone call I made was U-Haul; I fuckin’ packed the U-Haul up and drove the band to Chicago. I got to record an EP with my friends and one of my heroes in this giant firehouse building in Chicago. The EP is this missing link between .stomachaches. and Parachutes. It’s everything I wanted it to be. It’s fuckin’ awesome!”
With their latest album due out later this year, Canadian hardcore band Counterparts have released their latest single. It is titled No Servant of Mine and has a video out to accompany it, which you can watch below. The album itself is their third full-length which is due out on 22nd September, titled You’re Not You Anymore.
Vocalist Brendan Murphy said of the track: “No Servant is about relationships failing whether they be romantic, platonic or business oriented. One way or another, the connection between two or more people is gone and we have to carry on knowing that it may be for the better. The song is my way of saying ‘If you no longer care, then go. You don’t need to stay because you owe me nothing.'”
Watch the video of No Servant of Mine here:
Catch them playing these dates with Napoleon and Polar:
11th November Patterns, Brighton, UK
12th November Clwb Ifor Bach, Cardiff, UK
13th November Vintage Bar, Doncaster, UK
14th November Rescue Rooms, Nottingham, UK
15th November G2, Glasgow, UK
16th November Rebellion, Manchester, UK
17th November Think Tank, Newcastle, UK
18th November The Dome, London, UK
19th November Joiners, Southampton, UK
21st November Patronaat, Haarlem, Holland
22nd November Lux, Hanover, Germany
23rd November Poglos, Warsaw, Poland
24th November Firlej, Wroclaw, Poland
25th Durer Kert, Budapest, Hungary
It’s pretty safe to say Rise Records have had a couple of huge weeks these last couple of weeks with quality and quantity both breaking out of its roster.
First up is The Gospel Youth who released their stunning new album on the 14th July – their debut on Rise as well as their first full length. Always Lose comes as a follow-up to the twelve crowdfunded singles in twelve months that made the group their name, becoming renowned as the up-and-coming British rock band with their honest lyrics and catchy hooks. In addition to the whole album, they’ve released a video for the track Your Love Was A Cancer which was filmed on this year’s Vans Warped Tour. The band are currently still out on the road for another couple of weeks on that run until it closes on 6th August.
Goldfinger have made a monumental comeback with their first album in nine years titled The Knife which was released yesterday. Since 2008’s Hello Destiny, the band have been working on songs to supply other artists as well as frontman John Feldmann’s infamous production work for the likes of 5 Seconds of Summer and Black Veil Brides. The new album itself features appearances from Mighty Mighty Boss Tones guitarist Nate Albert and a near-whole album performance from blink-182‘s Travis Barker on drums amongst others, and was released on Rise yesterday (21st July). The latest single from the album is called Put The Knife Away which easily demonstrates how Goldfinger have grown since that last album with huge gang vocals and a more poppy feel throughout that almost verges on blink-182 sounds.
Silverstein released a brand new album on the 14th July through Rise as well, titled Dead Reflection which comes 17 years into their veteran career. Latest single Mirror Box was also put out at the same time, a song which demonstrates the band’s melodies while remaining heavy in many ways. Silverstein will be on tour in North America, UK and EU for the rest of the year so check out dates here.
Palisades have released a new music video, this time for their song Better Chemicals. It features on their self-titled third album which was released on the label earlier this year. The band are currently on tour with Japan’s ONE OK ROCK in the US, and will be returning to the UK in August for the annual Reading & Leeds festival.
Brighton-based chaotic punk band Rain Men have released their new single Crows, taken from their upcoming debut album. The band consists of frontman Jed Downey (vocals, guitar), Dan Pearse (bass), Reuben Harman-Mitchell (guitar) and Alex Tana (drums). Primarily drawing influence from bands like Gallows, Mr Bungle, Don Caballero and Fugazi, RainMen like doing what they want and spreading their angry vibes through odd time signatures, aggressive bass and drums, rambling vocals and a lot of fuzz.
Crows is the first single released from their yet to be announced debut album coming out in October 2017. It was live recorded in one take during an hour session at Metway Studios, Brighton, back in late April and is currently being mixed and mastered by Andrew Cheeseman who joined the band briefly for supporting Murmur’s Single Launch show at Brighton Electric. Crows itself was written in January by RainMen alongside their last drummer Zak Page, inspired by the events of the US election.
Winnipeg punks Comeback Kid have announced details of their follow-up to 2014’s Die Knowing. The new album is set to be called Outsider, and will be released 7th September.
The album annoouncements were made alongside the release of the lead single titled Absolute, which guest features metal veteran Devin Townsend. Download that track here.
Listen to Absolute below:
See Comeback Kid‘s full list of European summer tour dates below:
16.06 (BE) Dessel, Festival Park Stenehei
17.06 (FR) Clisson, Hellfest
19.06 (DE) Trier, Ex-Haus
20.06 (DE) Stuttgart, Universum
21.06 (DE) Hannover, Chez Heinz
23.06 (NL) Ysselsteyn, Jera On Air
24.06 (DE) Gräfenheinichen, With Full Force
26.06 (SWE) Stockholm, Cyklopen
27.06 (NO) Oslo, Sub Scene
28.06 (SWE) Göteborg, Sticky Fingers
29.06 (DK) Aalborg, 1000Fryd
01.07 (DE) Munster, Vainstream Rockfest
02.07 (DE) Aschaffenburg, Hardcore Summer Fest
04.07 (CZ) Královec, Rock For People Festival
06.07 (ES) Viveiro, Resurrection Festival
08.07 (DE) Rauhenebrach, Krach am Bach
Rock veterans Fozzy are coming back to Europe in October this year with Hardcore Superstar on a co-headline run.
Fozzy are set to close the UK dates with their set, while Hardcore Superstar will finish off the European dates. Support comes in the shape of Madame Mayhem and The Last Band, but they’re not in a standard order either – The Last Band are going to open the UK run with Madame Mayhem following and vice versa for Europe.
See the full list below:
27.10.2017 (UK) Birmingham – O2 Academy 2
28.10.2017 (IRL) Dublin – Tivoli
29.10.2017 (UK) Belfast – Limelight 2
31.10.2017 (UK) Chester – Live Rooms
01.11.2017 (UK) Manchester – Waterfront
02.11.2017 (UK) London – Islington Academy
03.11.2017 (UK) Sheffield – Corporation
04.11.2017 (UK) Glasgow – The Garage
05.11.2017 (UK) Newcastle – Riverside
07.11.2017 (NL) Amsterdam – Q Factory
08.11.2017 (DE) Aschaffenburg – Colas Saal
09.11.2017 (CH) Pratteln – Z7
10.11.2017 (IT) Trezzo Sull’Adda – Live Club
11.11.2017 (IT) Roncade – New Age Club
12.11.2017 (IT) Rome – Kimera Rock
14.11.2017 (AT) Vienna – Flex
15.11.2017 (DE) Munich – Technikum
16.11.2017 (DE) Essen – Turock
17.11.2017 (DE) Hamburg – Gruenespan
18.11.2017 (BE) Genk – CPG
Fozzy also recently released a new song titled Judas, so watch that below too:
Following their hugely exciting Slam Dunk set (see the review here), we caught up with Tom Weaver, frontman of one of the most promising upcoming British bands out there right now – Casey.
How’s your weekend been so far? Tom: It’s been really good actually. I managed to catch a couple of bands today which was cool, I was doing merch all day yesterday and at Midlands.
Have you got any good stories from the weekend so far? Tom: Yesterday, I’d just finished watching The Bronx and I was walking down to Shikari and a guy grabbed me and told me “ska music is exclusively for paedophiles and magicians” and that was it. He just wandered off.
What would you put in a Casey cocktail? (It doesn’t have to be alcoholic) Tom: Yeah I’ll take you up on that. No alcohol and no caffeine so… I have to be honest, it would probably just be tropical Sunny D.
What’s been your highlight of 2017 so far? Tom: There have been a few really. Impericon festival in Leipzig is at the top – that was the biggest show we’ve ever played by a considerable margin. That was our first experience of a real festival too, plus meeting the guys in Thy Art Is Murder was cool too. I’ve been a fan of them for a long time so meeting them finally was greit, and on top of that them being so incredibly humble and really nice people was a huge thing. Other than that I think getting feedback on the record has been good, hearing different people’s interpretations on it and everything.
Who would you like to support or support you in the near future? Tom: There are a load of bands we’ve said we’d love to play with like Lydia, Pianos Become The Teeth, Touche Amore… In terms of smaller bands to support us, we love Movements so if we could sort something with them that would be great. Our friends in Holding Absence obviously, we’ve been trying to sort something out with them for a while so hopefully that will come soon. This year has really opened us up to touring with bands outside our genre and style so that’s always an option again. We all caught Citizen this weekend and thought they’d be awesome to play with so…
How do you feel Casey has changed since we saw you at Butserfest last year? Tom: Nothing’s really changed, exactly. When we’re on the stage it’s very self-enclosed so the way we performed at Impericon for 8,000 people and the way we performed to a couple of hundred in the rain at Butserfest. Obviously we’ve seen an incremental increase in fan interaction since back then, and today was a perfect example of that. I think that was the first time I’ve ever been able to fully step away from the mic and hear the crowd back which was insane. Other than that, it’s just the gradual spread of fans week on week. We’ll have a look and see a few more in Australia and a few in America picking up on us so the organic increase of the fanbase is cool, but nothing has changed as a band exactly.
Which direction do you see your music going next? Tom: We’ve never sat down and had a conversation about how we want to sound. Everything we’ve written up to now has been a product of improvisation really so we’ll go to a practice room and see. Sometimes someone has come up with something and say “I wrote this at home, I think it sounds cool”, sometimes someone plays something and we’ll say “keep playing that, I’ll just try this” and it builds. Whether it becomes an interlude in the live set or if it becomes a complete song we don’t know until we’ve built it. We’ve never decided we want to be a post-hardcore band or a post-rock band or a we want to write eleven really atmospheric songs, we just write how we feel. We’ve been messing with some pieces that might become a record but in three or four months’ time we might decide we’re not really fans of that anymore and do something else. What we’ve been doing is more of the same in a way, but more mature. A lot more thought is going into the layering and how we can fill a room with it because of the different shows we’re starting to play now. There are points in big shows like Impericon where about a minute of the set was lost in translation because of the acoustics of the bigger rooms.
Thanks to Tom for chatting to us! Casey are a band increasing in size and following rapidly so get on with immersing yourself in their recordings and live shows now to follow their monumental rise that’s just around the corner…