Capsize are making huge waves with their upcoming material, and the new track they have released is no different. Featuring Brendan Murphy from Counterparts, the energetic new track Tear Me Apart has been released alongside its video.
Vocalist Daniel Wand says: “This one goes out to anyone that has ever felt doubted or discouraged by their family or friends, while trying to pursue something that means everything to them. For this album, I wanted to write lyrics that I felt like I needed to hear, or would have liked to have heard at certain times in my life that I have only just recently worked through enough to put into words. The title represents what the album does for the band, and me personally. It’s a reintroduction of who we are as a band, in reference to the things that have led to this point in my life.”
The album is titled A Reintroduction: The Essence Of All That Surrounds Meand will be released on 22nd July via Rude Records. Preorders available here for vinyl and here for digital.
Following the release of their critically acclaimed sophomore release Things Will Matter in May, Lonely The Brave have announced the Dust & Bones EP.
It will be released on the 12th August via Hassle Records. Led by album highlight, the iconic track Dust & Bones, the EP also contains two new original songs in Place Isn’t Lost and Bottled Time and an added cover of legends Pink Floyd’s Comfortably Numb.
The band have previously supported the likes of Bruce Springsteen, Neil Young, Biffy Clyro and Deftones. They will also be playing at this year’s Latitude, Truck and 2000 Trees Festival as well as a newly announced run of headline shows with Tall Ships in support, dotted around their festival appearances.
See the title track below:
And here are all the tour dates:
08/07/16 – 2000 Trees Festival, Cheltenham – United Kingdom
15/07/16 – Truck Festival, Oxford – United Kingdom
16/07/16 – Latitude Festival, Southwold – United Kingdom
31/07/16 – Y Not Festival, Derbyshire – United Kingdom
27/08/16 – Anchored To The Sound Festival, Plymouth – United Kingdom
03/09/16 – Fort Fest, Bedford – United Kingdom
Puppy have announced their new EP and detailed it a little.
The record is titled Vol II due for a August 12th release, and a free release show celebrating the event will take place on August 23rd at The Black Heart in Camden.
Jock Norton (vocals/guitar) said:
“With VOL II we wanted to do expand upon the foundations we’d laid with our first EP, both musically and conceptually. I think we’d wanted the first one to essentially be four singles, whereas this one has a bit more light and shade to it. I know describing something as a ‘musical journey’ is pretty naff but I feel it applies here, at least to some degree. Another thing we were conscious of was trying to streamline our sound a bit more. People always comment on the fact that we mix a lot of indie rock ideas in with more traditionally metal sounding stuff, and I think here we wanted the lines to blur even further; hopefully rather than thinking “this bit sounds like Metallica and this bit sounds like Grandaddy in quite a dichotomous way, the joints have been smoothed down a little and those ideas come together in a more coherent way. We’re very proud of what we’ve achieved and we’re really excited to share it with people.”
The track listing looks like this:
2. My Tree
5. Here At Home
Puppy’s Entombed from the record has had a video released, watch it below:
Eastbourne pop-rock band The Holiday have already released two tracks from the upcoming EP The Good Life (Hindsight and All I See) which received a great response from their new found fans, and they just debuted the title track from it.
Bristol synth-rockers Area 11 have always been known as a group with a hugely electronically influenced sound, however they also boast technical solos and some of the most diverse styles in modern alternative music. With vocals ranging from soul/pop soaring choruses to guttural bellows and back again, this is continued to an extent into the Modern Synthesis era.
The album opens with a couple of pretty plain tracks that could have come from any old band; only when it hits Watchmaker does it start to truly build but when it does, Versus is the explosive yet party-driven result. The latter has screamed vocals reminiscent of a quality hardcore band and guitars that could slot into any hard rock band in the modern day. It has a heavy undertone to the raging synthesisers that could have been plucked straight from a Shikari set. The roughness slackens off at the start of fifth track Processor but from nowhere comes more of those screams that just curdles the blood of anyone listening. Pop choruses follow and it turns into a roots rock track, which truly displays their versatility as a band together.
The guitar takes more and more prominence as the album progresses, having very little influence with the pop/dance-driven first two tracks but with an absolutely shredding solo at the end of Red Queen and taking the introduction as well as adding fuzz over the verse it makes for great added depth to the sound. Later in the record too, the outro to Nebula comes in the form of another ripping solo before leading into Panacea And The Prelogue which is filled with classic rock sustained high notes with vibratos with bluesy riffs below the crashing drums and verse vocals.
The most standout physical instrument on Modern Synthesis though is the bass. Every single track bassist Jonathan ‘Kogie’ Kogan is the shining star who propels this band to a funky new level through the riffing away he does throughout the verses to all the tracks. Whichever other members and instruments playing at the time, there are very few periods the bass doesn’t play and when they do the moment tends to fall flat.
Vocally, there are literally two modes: scream or bubblegum pop with no in-between measure at all and while in some parts this works well, it creates a rather lacking vibe when juxtaposed with the solid rock instrumentals going on underneath ‘Sparkles*’ Clarke. This is especially noticeable towards the end of Angel Lust and through The Life Of A Ghost where the guitars sound almost Saint Asonia-esque yet the vocals point towards a pop-rock track and the gulf leaves something to be desired. That being said, there are tracks like Panacea And The Prologue where it works and matches up fantastically to create a whole-band crescendo before breaking back down to a piano/vocal closing.
Overall, a slightly lacklustre record but a clear display of the band’s skills, with a few golden tracks in there such as Versus and Nebula that fans of anyone from Enter Shikari to Led Zeppelin will love; there is a Modern Synthesis track for every mood and everyone.
The long-awaited return of metalcore gods Of Mice & Men has officially come, currently in the form of new single Pain.
The track is a shift towards a more roots metal sound from the very distinctive melodic direction they developed with bassist/vocalist Aaron Pauley‘s arrival back in 2012. It is presumably taken from their yet-to-be detailed follow up to 2014’s Restoring Force which was recorded after frontman Austin Carlile‘s recovery from his surgery for Marfan’s Syndrome last year.
Watch the video below (warning: it’s stupendously heavy…):