With summer rolling around, plenty of winter tours are being announced in the UK and Europe. Just announced is EMP Persistance‘s 2018 tour which plays out between the 18th and 28th of January. The line-up this year consists of Hatebreed, Madball, Terror, Power Trip, Broken Teeth and Insanity Alert. Tickets go on-sale at 10am Monday BST and O2 pre-sale is 10am on Saturday. Tickets available here.
Madball kick off a UK tour this week beginning in London:
Melodic-hardcore band Counterparts have announced that their upcoming 3rd album titled You’re Not You Anymore will be released on 22nd September via Pure Noise Records. In anticipation of this the band have released a new single, check out Bouquet below:
“YNYA is the perfect blend of every record we’ve released prior. I feel like we did a great job at capturing the best parts of Counterparts. Not to sound like a broken record, but these are definitely the coolest songs we’ve ever written. I really do hope you enjoy it. If not, I’m sorry and I guess we’ll try harder next time.” – Brendan Murphy, vocals
You’re Not You Anymore Track List:
1. Walk Away Slowly
3.Arms Like Teeth
4. No Servant of Mine
5. Haunt Me
6. Swim Beneath My Skin
9. A Memory Misread
10. Fragile Limbs
11. You’re Not You Anymore
The band will return to the UK and Europe later this year with Napoleon and Polar in tow at the following dates:
Following their hugely exciting Slam Dunk set (see the review here), we caught up with Tom Weaver, frontman of one of the most promising upcoming British bands out there right now – Casey.
How’s your weekend been so far? Tom: It’s been really good actually. I managed to catch a couple of bands today which was cool, I was doing merch all day yesterday and at Midlands.
Have you got any good stories from the weekend so far? Tom: Yesterday, I’d just finished watching The Bronx and I was walking down to Shikari and a guy grabbed me and told me “ska music is exclusively for paedophiles and magicians” and that was it. He just wandered off.
What would you put in a Casey cocktail? (It doesn’t have to be alcoholic) Tom: Yeah I’ll take you up on that. No alcohol and no caffeine so… I have to be honest, it would probably just be tropical Sunny D.
What’s been your highlight of 2017 so far? Tom: There have been a few really. Impericon festival in Leipzig is at the top – that was the biggest show we’ve ever played by a considerable margin. That was our first experience of a real festival too, plus meeting the guys in Thy Art Is Murder was cool too. I’ve been a fan of them for a long time so meeting them finally was greit, and on top of that them being so incredibly humble and really nice people was a huge thing. Other than that I think getting feedback on the record has been good, hearing different people’s interpretations on it and everything.
Who would you like to support or support you in the near future? Tom: There are a load of bands we’ve said we’d love to play with like Lydia, Pianos Become The Teeth, Touche Amore… In terms of smaller bands to support us, we love Movements so if we could sort something with them that would be great. Our friends in Holding Absence obviously, we’ve been trying to sort something out with them for a while so hopefully that will come soon. This year has really opened us up to touring with bands outside our genre and style so that’s always an option again. We all caught Citizen this weekend and thought they’d be awesome to play with so…
How do you feel Casey has changed since we saw you at Butserfest last year? Tom: Nothing’s really changed, exactly. When we’re on the stage it’s very self-enclosed so the way we performed at Impericon for 8,000 people and the way we performed to a couple of hundred in the rain at Butserfest. Obviously we’ve seen an incremental increase in fan interaction since back then, and today was a perfect example of that. I think that was the first time I’ve ever been able to fully step away from the mic and hear the crowd back which was insane. Other than that, it’s just the gradual spread of fans week on week. We’ll have a look and see a few more in Australia and a few in America picking up on us so the organic increase of the fanbase is cool, but nothing has changed as a band exactly.
Which direction do you see your music going next? Tom: We’ve never sat down and had a conversation about how we want to sound. Everything we’ve written up to now has been a product of improvisation really so we’ll go to a practice room and see. Sometimes someone has come up with something and say “I wrote this at home, I think it sounds cool”, sometimes someone plays something and we’ll say “keep playing that, I’ll just try this” and it builds. Whether it becomes an interlude in the live set or if it becomes a complete song we don’t know until we’ve built it. We’ve never decided we want to be a post-hardcore band or a post-rock band or a we want to write eleven really atmospheric songs, we just write how we feel. We’ve been messing with some pieces that might become a record but in three or four months’ time we might decide we’re not really fans of that anymore and do something else. What we’ve been doing is more of the same in a way, but more mature. A lot more thought is going into the layering and how we can fill a room with it because of the different shows we’re starting to play now. There are points in big shows like Impericon where about a minute of the set was lost in translation because of the acoustics of the bigger rooms.
Thanks to Tom for chatting to us! Casey are a band increasing in size and following rapidly so get on with immersing yourself in their recordings and live shows now to follow their monumental rise that’s just around the corner…
A lot of people are spoilt for choice or just don’t have a clue to watch for some of this year’s Slam Dunk Festival, so hopefully our picks here will give you a little food for thought.
You Know The Drill (Midlands only)
You Know The Drill may only be on the bill due to being competition winners but it was something that was thoroughly deserved. A band that’s worked hard over the last couple of years put blood, tears and sweat into their lives shows and leave the audience in awe at their musical ability. Catch them at 13.30 on Rock Sound Breakout Stage.
Sorority Noise hail from Connecticut and are comprised of members from Prawn and Old Gray. Together they are housing this indie rock/emo style which has taken the band on tour with Modern Baseball and others. This year the band released their latest full length record You’re Not As _____ As You Think, a record which showcased not only their musical prowess but also the beautiful lyricism of vocalist Cam Boucher. Alongside this release the band last year released a beautiful yet harrowing EP titled It Kindly Stopped For Me which was well received by fans and critics alike. If you are free during their set they aren’t a band to miss. Catch them at 14.15 on Signature Brew Stage.
After the release of their masterpiece album, “Love Is Not Enough”, Casey have grown from strength to strength, making their presence felt in the UK scene. Appearing on Rocksound’s Breakout Stage, this melodic emo 5 piece is not a band you want to be sleeping on. Catch them at 14.25 on Rock Sound Breakout Stage.
Trophy Eyes are one of the best bands to come out of Australia in a long long time. With a mix of pop punk, punk and hardcore they bring something for everyone. Their latest album Chemical Miracle saw the band tone down their heaviness in some parts, but none the less was an amazing record. Expect chaos in a live set, the energy that band bring is second to none. Catch them at 14.35 on Monster Energy Stage.
Having had an extensive European run with Creeper finishing just weeks ago, Milk Teeth are back out on the road for more. They debuted new track Owning Your Okayness from upcoming third EP Be Nice a couple of weeks back on the Radio 1 Rock Show and have guaranteed they will be playing the tune at all three days of the festival which is sure to please fans. The female-fronted four-piece stand as the upcoming emo/grunge band at the moment and have toured with names including Tonight Alive who are headlining Key Club stage at the festival. Catch them at 15.10 on Signature Brew Stage.
Having toured the US and EU extensively, Boston Manor are back on home soil stronger than ever. Their bold yet effective twist of pop punk and alternative proved dominant in their latest release “Be Nothing.” and their live performances emphasis this. Upgrading from the Fresh Blood stage last year, they’ll be hitting up the Key Club Stage this time around and they’re definitely not one to be missed. Catch them at 16.20 on Key Club Stage.
Hardcore Punk quintet Beartooth will be returning to Slam Dunk this year after a year out, bringing their high energy performance along with them. With 2 albums and an EP to their name, these guys have the songs to back up their incredible stage presence. Their latest album Aggressive – which topped at #25 in the US album charts – has proven these guys can do it all, from heavy riffs in Rock Is Dead to a softer acoustic track in King Of Anything. Catch them at 17.40 on Jagermeister (Main) Stage.
Probably one of the most prolific emo bands of recent memeory, Citizen have been a favourite of many since the release of Youth in 2013. As a band Citizen are matching powerful guitars and well constructed vocal melodies together to bring along tracks which are both harrowing but also gorgeous. In 2015 the band released their latest record Everybody Is Going To Heaven. If you haven’t yet check them out and be sure to catch them at Slam Dunk. Catch them at 18.10 on Signature Brew Stage.
The Fearless Records four-piece broke through into the big league with their cover of Taylor Swift‘s Blank Space back in 2015 after releasing their Heart Vs Mind EP in 2014 and succeeding it with 2016’s debut album Lifelines. I Prevail never fail in blending pop vocals with bonecrushing metalcore verses and breakdowns, and they’re here on their first trip to the UK to prove that in front of a brand new audience alongside labelmates Ice Nine Kills and Oceans Ate Alaska as part of their Fearless Invasion tour. Catch them at 18.30 on Impericon Stage.
Getting ready to give the UK their first ever presence, Metalcore powerhouse Sylar have many different ways to get you fixated on what they’re able to bring to the table. Their latest album ‘Help’ is a showcase of their arsenal of low end riffs and a powerful bounce that emanates through the recording and will no doubt power through their live set with tracks such as ‘Assume’ as well as their older tracks from their debut record ‘To Who It May Concern’ which can produce a lot more of their heavier side. A band who will be looking to make a deep mark on the mainland this coming weekend. Catch them at 19.00 on Rock Sound Breakout Stage.
Ocean Grove There’s no denying that the band made quite a stirring with their latest album offering ‘The Rhapsody Tapes’ which helped give off a newer and fresher side of the group. Now they are another group looking to make a lasting first impression on UK soil. It will be an exciting element to see how their tracks flow from one another with a mixed bad set of tracks such as ‘These Boys Light Fires’ as well as ‘Intimate Alien’ with their flavourful instrumentation and the fact that a lot of people enjoy all the bands from Australia due to what they’ve been able to provide musically should put these guys at the top of your list as the underdogs of the festival. Catch them at 20.50 on Rock Sound Breakout Stage.
After a few relatively quiet years, Enter Shikari are back to headline Slamdunk this year for a ten year anniversary celebration of their debut album Take To The Skies. Few are unaware of the group, thanks to the fateful ‘clap clap’ song (Sorry You’re Not A Winner). Due to their unique electronic rock sound, Enter Shikari appeal to the alternative/rock crowd, the heavier metal crowd, and the dance/electronic crowd. They are a sound choice for headlining a festival that appeals to as many people as Slam Dunk does, and their live performance is always a spectacle to behold. Catch them at 21.25 on Jagermeister (Main) Stage.
Bowling For Soup
Pop punk legends Bowling For Soup will be gracing the Slam Dunk stage this year. With fan favourites such as 1985, Girl All the Bad Guys Want and their rendition of Stacy’s Mom this is sure to be a set not to miss. Lead singer Jared is heading out on his solo acoustic tour later this year, so you don’t want to miss the chance of seeing the whole band bringing their incredibly fun live show to the UK. Catch them at 21.45 on Fireball Stage.
Memphis May Fire
Memphis May Fire is one of those underrated groups that have been around for ages and never really broken hugely into the UK music scene. Metalcore is a very under appreciated genre in the UK, but it seems to be the overarching theme this year for Slam Dunk. Coming off the success of their latest album The Light I Hold, Slam Dunk will be one of the last shows of the UK leg of the tour, with a quick stop in Spain before returning to the US.
Belgian modern hardcore quintet Moments have released the video for their latest single ‘House Of Habits‘, taken from their forthcoming EP ‘Outlast‘due for release this week. Check out the video below!
Giving you something nice and heavy, metal/hardcore quartet BAILER return with the video for their brand new single ‘In For A Penny, In For A Pound‘ which is the newest single off their upcoming ‘PTSD‘ EP. Check it out below!
Giving you the UK’s answer to Beartooth, Harrogate hardcore heavyweights Blood Youth have unleashed their brand new music video for the single “What I’m Running From” which taken from their debut record “Beyond Repair”. Check it out below!
Malevolence have only been around for a few years, yet have already made a massive impact on the metal/hardcore scene. Their 2013 release Reign Of Suffering saw them quickly become favourites and gave them the opportunity to play shows all around the world.
Three and a half years on, it’s less than a week till the release of their new album Self Supremacy. With it being announced back in March, fans all over the world have been counting down till May 19th to experience what the band have been cooking up.
Jumping straight into the album with the title track, ‘Self Supremacy’ it feels like it’s been ripped straight from their debut. The familiar tone of guitar and Malevolence’s unique drumming welcomes the fans back into the new album slowly, as well as heavily implementing Konan’s vocals which make more than an appearance in the release. This track paired with the equally batshit crazy ‘Trial By Fire’ creates an opening to an album that will go down as one of the heaviest in history.
After being taken on their first big European tour back in 2013 by Comeback Kid, Malevolence decided it would only be fair to ask Andrew to feature on ‘Severed Ties’. In an interview, drummer Charlie Thorpe said “We knew he’d come through with something sick, but he exceeded all expectations” and the combination of Andrew, Alex and Konan on one song is nothing short of an ingenious idea. The other track with a guest feature comes in the form of the second single ‘Wasted Breath’. This time featuring Kevin of The Merciless Concept – it seems a weird pairing but mixed with the melt-your-face off beatdown, it creates one of the heaviest songs on the album.
On every album there’s always a song that will be a hit live, and Malevolence have created that experience with “Body Count”. A delicate concoction of riffs, beatdowns and gang vocals will have the quietest of crowds getting rowdy. Breaking up the brutality is a little number called ‘4AM on West Street’. A pure instrumental interlude with a sinister twist is sure to be the intro when the band tour the album later this month, finishing with a clip from the TV show The Wire it brings us into the next track. “Slave to Satisfaction” was the first single released and is easily one of the best tracks on the album. Konan is heavily involved and the vocals between the pair are malicious which pays off extremely well, and the Crowbar influences are very prominent throughout the track. The sludge-esque breakdown is one of the most rememberable pieces of the song, if not the whole album and will be stupidly heavy when played live.
The second half of the album is when Malevolence really come into full force, whether it’s the hard as fuck beatdown and ‘MLVLTD’ chant at the end of “Spineless” or the blast beat and punchy riffs filled “Outnumbered”. One song that really stood out in their previous release “Reign Of Suffering” was “Turn To Stone” due to the musical excellence that flowed throughout the 8 minutes and if you were expecting another track just like that, you won’t be disappointed – this time coming in the form of “True Colours”. Predominately Konan, it showcases everything that Malevolence are made of, and with the spine chilling riffs and stupendous drums by Thorpe complementing each other outstandingly it’s a standout across the bands discography, let alone this album.
Genre defining is not a term to be thrown around lightly, but this album is a true representation of what hardcore and metal can be when mixed together perfectly. They’ve matured immensely and the work put into this is evidently second to fucking none. Do not even try and compare “Reign of Suffering” and “Self Supremacy” as they’re both modern classics and with both albums to play with, Malevolence will put on a hell of a show when they tour in a couple of weeks. This album has been massively hyped in the underground scene and it easily exceeds any expectations you may have.
Malevolence embark on a three week long tour starting in a couple of weeks time bringing along No Zodiac and Revulsion to join the party. Pre-orders for the album can be found over on BDHW Records.