Bringing you something heavy, atmospheric and full on punk at points, it’s safe to say that Brutus aren’t looking to be held back by any sort of boundaries at all and this debut record will show off their power and creativity within their walls.
Immediately sounding like an alternative rock jam, ‘Match’ kicks off very strongly with a touch of chaotic nuances about it. It all comes together a lot more when the vocals kick in and add a really nice element to the track overall, giving you something that is the life of the party. As the album progresses, the band still test their limits with tracks like ‘Not Caring’ giving off something that is full of experimental noise that shows off the band going through different stages and sections flawlessly with a minimalist amount of singing.
When the track boosts more of the bass and the vocals, it adds a very strong atmosphere to the first part of the album, making it that much more tasteful. As it moves into ‘Justice De Julia II’ the guitars show off more of their melody qualities whilst the vocals get more of a feature. It shows off a more emotional side due to its tone and the more forceful approach of the higher key in singing adds to that state of mind.
Towards the second half of the record the tracks show off more of their creative and chaotic side with the album as a whole coming across as a spectacular live show within the casing. Tracks like ‘Crack / Waste’ giving off that vibe very strongly. Even with the track being one of the shortest of the bunch, it still packs an incredible punch with the guitars being the forefront of that track. The longest track, titled ‘Child’ is also their closer and it is by far the best track on the record. It encapsulates everything that is gripping and wonderful about the record and has an amazing structure around it.
This record is a prime example of what a band can do if they’re willing to just throw so many rulebooks into a fire and just light it with petrol. Whilst there are a few parts that feel a bit disorientating, the whole record will transport you into another state of mind and bring you something magical in its approach.
If you like your noise and drone rock, you will be happy with who we have talked to. We got to have an email conversation with Twinesuns to talk about their latest record, their goals with the record and how they plan their future.
For those who might not be familiar, how would you describe Twinesuns?
We are three dudes playing loud, slow and ugly riffs with a ton of moog synth underneath the guitars. Thats pretty much what we do. Theres nothing special about it, playing slow is key in what we do.
You have recently released your record ‘The Empire Never Ended’, what was it like to finally get your release out there?
To be honest, I felt pretty much a big relief. It was two and a half years of work on this beast, maybe a bit more, considering the writing phase. In fact, the album was planned to be even longer than it is now – we cut it a bit short to fit it on double vinyl. Mixing, Mastering and finding a perfect artwork took a while but everybody who was involved, did an outstanding job in my opinion. But yeah, I am happy that it is finished and finally out now.
With bands such as Sunn O))) being a major component it seems in the noise/drone rock genre, how would you say your music separates from theirs for new listeners?
Good question and I am not sure if there is that much of a difference. I mean, we pretty much do the same like Sunn O))). Two loud guitars plus lots of moog synthesizer. Of course we don´t have vocals and we don’t have that whole crazy live show going on like they do. But of course when you play that style of music, especially without drums, there will always be parallels to a band like Sunn O))).
How did Twinesuns come about as a band?
It was mainly me and Florian trying to get some kind of a band going but we were tired of looking for other members and doing this classic rock band lineup thing. So we started as a guitar duo. When we recorded our first album ,The Leaving’ we realised that we need some more depth and dimension to our music. So I asked Renzo from Abraham, whom I have known from touring back then, if he wanted to try to add some moog-parts. It went so well that we asked him to become a full member and here we are. To be honest, I think that Renzo quickly became our creative heart of this band. He has so many great ideas that we could do another ten albums with just his inspiration.
When you first started writing the record, what was your main goals to get out of the sessions of writing and recording?
Renzo came up with the idea to make some sort of a concept record about ,Valis’ from P.K. Dick. He is really into this whole old school si-fi-literature thing. Florian and me liked the idea and Renzo worked out the whole exo-sceleton of the record. We did not rehearse anything together, what you hear on the record is us playing these songs together for the first time. We only had a few rough demos just to make sure we are all on the same map when it comes to the progression and the evolution of the songs. The main goal was to make something cinematic with loads of different shades and colours to it. For me personaly it was very important to record the whole album live without any overdubs. I am pretty sick of todays way of producing music and the perfectionism that comes with it so I wanted to have a raw sound thats basicaly shows how we three sound together in the same room.
How do you come up with the noises and patterns when writing the genre of your music?
The thing is that you have to let go about the classic rock´n´roll way of playing your instrument. I played in all sorts of different bands within the last 20 years, some of them beeing very fast and rude. So the big challenge is, to play really slow. Like really really slow. To let the notes ring out for minutes if needed. There is now way to achieve that sound with lower volume, you need that gigant, roaring rig behind you. I think it has to do with a lot of air beeing moved and the reaction of the guitar to that. I remember that we did a lot of spontanious stuff while recording and trying out all sorts of little hacks to create certain sounds or noises.
With the vocals on the record, how do you come about to where they should be placed and are there any lyrics involved?
There is just a tiny bit of vocals on the album and it was the last thing we recorded. In fact it is Renzo screaming. I think he had a very precise idea on where the vocals should be placed and maybe you will find out if you read ,Valis’.
What would you say are the common misconceptions about the genre people have?
I have no idea to be honest because I don´t care about peoples misconceptions about the music I play. I am playing in bands since I am ten years old and at some point you simply don´t care anymore. That point was a long long time ago…
If your next album was a concept album, what would you like the story to be?
I am pretty sure that the next one will be a concept album too but I have no clue what it will be about. We all are into pretty different stuff. Renzo is really into this si-fi stuff from the 60s and 70s. Florian is very much into japanese history and art, in fact, the whole artwork of our first record represents that. I am into all different kind of things so in the end, we will see, what we three will agree on.
What artists would you like to collaborate with that people may think would not fit into your genre?
I would love to have some classical instruments like violin, trumpet or english horn on the next album, just to have another texture within the music. Other than that I could see us doing a collaboration with some sort of grind music which is pretty much the opposite of what we do. But thats just me, maybe we will do something totally different.
What are the plans for Twinesuns for the rest of 2017?
I think we will try to play a few selected shows. Playing live with this band is a nightmare because of our gigantic backline we have to move with us. But yeah, we would love to play a few shows this year. We just played two shows with Mirrors for psychotic warfare which was really awesome.
Any final words to your fans?
Thanks for checking us out, we really apreciate that. Nazi Trumps fuck off!
In a world of noise rock and drone music, there are artists such as Sunn O))) who are able to bring a sound that gives off so many different flavours within a slow and cumbersome genre that it has a way of taking you on a spiritual journey. Amongst this, upcoming group Twinesuns are looking to show you what they are capable of with their upcoming release ‘The Empire Never Ended’
The album opens with an array of small feedback noises that sound like whale calls within ‘Simon The Magus’ and as it progresses, the droning noises sort of possess you with the long and arduous instrumentations that are brought to the table, with every time you feel a note get strummed, the all around effect it has sounds very tribal and enticing. The cleaner sections that sound like wind blowing feel bone chilling and spooky beyond belief, having a very tonal pleasing side to it. The next track has this pulsating beat come through on one side with the clean yet dissonant guitar chording coming through sounding warped. The song picks up and by the time you’re fully encased by ‘Die Zeit Ist Da’, you’re probably about two minutes into this thirteen minute behemoth that has small change-ups throughout the song from siren sounds to scratches and feedback.
Throughout the entire record, the tracks are all weaved together amazingly and they all have a distinct way to tell themselves apart from their counterparts. Whether it be with the more space-meets-aztec feel of ‘System Regained’ and the whole build up that track for its eleven minute run time, or the more sludge and doom poundings that arise from the almost ten minute colossal ‘Going Through Life The Eyes Closed’ which starts to take on a very alien and psychosadistic vocal chant and grumble along the belly of this beast, the album feels very well rounded and proceeds to give you something amazing from the genre that you might not be used to listening to before. This can also be demonstrated with the final song ‘Firebright’ which uses a teensy bit more melody in its wake. Sounding even more astral and atmospheric, there are much more creepy nuances that make this just a very interesting listen.
Overall, Twinesuns have brought a new light into drone and noise rock that many people might already be used to, but that doesn’t mean they still cant provide something that has a lot of heart and distinction from its predecessors. It’s a gateway record into a genre you may find yourself enjoying for the better.
If you like your chaos in the same boat as The Dillinger Escape Plan and Code Orange, then you should get your ears around the French screamo/post hardcore act Yurodivy. Bringing something new to the table with ‘In The Violence Of The Ashes‘, it will give you something very different to enjoy.
Showing off the other side of the bands AA single, GANG are here to give you ‘Enough Nothing‘. Being just as macabre as the previous song ‘Dead‘, this is setting out to be a very drowsy and mind-tripping lot of singles. Check out the song below!
Bringing something doom-fuelled, dark and somewhat bloodcurdling, Glasgow’s own Headless Kross are here to bring you a new face of fear with their new album ‘Projections 1‘. Full of long tracks, slow droning and a looming sense of aggression, this record is definitely something to listen to if you’re a fan of the genre or not. You can check out the stream HERE.
Adding some noise rock to your day is Hereford based duo consuumer. With their latest track ‘Radio‘, they bring something trippy, loud and above all, they bring something completely peculiar for your ears to digest with a nice tutorial into what noise rock is. Check it out below!
Starting out as a think-tank music and art project by the meeting of two fertile and febrile minds, Collapsing Scenery began their mission in LA warehouses and basements spreading their dark and noisy electronic sound to those in the know. This week they stream Metaphysical Cops, the lead single from their debut UK EP, God’s Least Favoritescheduled for release on Metropolitan Indian Records on September 23rd.
The band are comprised of NYC guitarist Don De Vore (ex-Ink & Dagger & The Icarus Line), LA vocalist Reggie Debris and new recruit, ex-Albert Hammond Jr. collaborator Chris Colley. In a genre often lacking in lyrical bite, theirs is electro music with meaning and purpose. It flexes the head as well as the heart
“It’s a comparative examination of two modes of so-called spiritual communion, one based in love and truth, and the other in fear and violence,” explains Debris. “We recorded the track in complete darkness wearing military issue night vision goggles on a ranch in rural Texas.”
Playing their debut shows in London and Paris last month, Collapsing Scenery will return to the UK later this month for a short run of dates.
Stream the single Metaphysical Cops on Soundcloud here.
September live shows:
Fri 23rd: London – Rough Trade East
Mon 26th: London – The Jazz Cafe*
Tue 27th: Bristol – Thekla*
Wed 28th: Manchester – Deaf Institute* * Supporting The Black Queen
EP Track list:
Theme from Fellow Travelers
Collapsing Scenery is:
Don De Vore: Guitars, keys
Reggie Debris: Lyrics/vocals/keys
Chris Colley: Drums