Chelsea Grin have announced a UK headlining tour supporting their upcoming Eternal Nightmare with Oceano, Kublai Khan and Enterprise Earth as support.
The band tour the UK on the following dates:
24th September The Dome London
25th September The Fleece Bristol
26th September Rebellion Manchester
27th September G2 Glasgow
28th September The Asylum Birmingham
The bands newest single Hostage has also been recently released, this will be taken from Eternal Nightmare set for release 13th July via Rise Records, the video can be viewed below:
This album will be the band’s first album with vocalist Tom Barber, Dead Rose the first song off the upcoming release collectively streamed over 1 million streams in the first two weeks.
With the announced move that Oceano would be now joining the Sumerian Records label, the collective deathcore world jumped out of their chairs in excitement due to what would become of the group. Now the band are releasing their fifth studio record titled ‘Revelation’, its time to see what has become of the deathcore veterans.
The album opens up with an immediate punch to the groin with ‘Dark Prophecy’ giving you that classic sound you’ve heard from the band, right down to the sudden slowing down of the track and the low groans of Adam Warren being a great way to show you that they aren’t slowing down any time soon. ‘Lucid Reality’ picks up the pace even more with a more groove-laden track and utilising a lot more of the atmospheric and eerie cleans to provide much more depth of field for the track when you’re listening to it. That doesn’t mean the band don’t shy away from aggressive chugs and the blast beats as are very evident in the track. The following track unfortunately have the same gravitas as the previous tracks and whilst there are moments of notable quality, ‘Path To Extinction’ feels very basic in its approach compared to what you’ve heard previous. It will no doubt bring something to the live shows but feels out of place on the record where it is positioned. Comparing that to ‘The Great Tribulation’ which seems to involve a lot more of an all around influence and push themselves a lot more in speed and technicality, the band put the previous track to shame with its ability to go balls to the wall.
The record progresses a bit further when you get to tracks such as ‘Illusions Unravel’ and ‘The Event’ which showcase even more of the bands talent within the field. The downside of this project is that they’ve hit a certain box within the album where certain elements carry over from track to track and can make the record feel a bit monotonous in its approach. Whilst the instrumentation and brutality in its structure help exemplify the greater qualities of the band, the band heighten a lot of their approach on the same moments that ‘Ascendents’ did, making it feel like a spiritual successor and not its own beast. ‘Final Form’ is a great example of their musical quality in the guitars which stray from convention to give you something a bit more melodic in its wake. The groovier elements make more of a mark in the track ‘Majestic 12’ as well as the album closer, as well as the title track ‘Revelation’ that give the record some sort of new life, but as the album draws to its close it leaves you with a mixture of emotions to take home with you.
The new move will do wonders for the bands career, but as a standalone album that the fans have been waiting for it wont feel like its own unique beast of a record. Whilst it is most definitely a step up from their previous record, the band are still stuck in a place they need to find a little bit more freedom in and expand upon.
More deathcore coming your way thanks to Oceano who have now unleashed a brand new music video for their new track ‘Human Harvest‘. This track is taken from the band’s Sumerian Records debut record ‘Revelation‘. Check out the new single below!
Deathcore is starting to make a huge comeback and it seems Oceano are going to put themselves on the frontline with their new album ‘Revelation‘. You can tell they aren’t messing around with their newest single ‘The Great Tribulation‘.
It’s time for some heavy ass deathcore to burst onto the scene from Los Angeles own Face Your Maker. Their upcoming release is set to burn a fire under the up and coming deathcore scene with newer bands now having a target to hit thanks to this new record.
Already with the first track they know how to make their presence. ‘Rubicon’ starts off with an eerie guitar lead much like Thy Art Is Murder did with ‘Reign Of Darkness’ before throwing in the rhythm with a choppy and chuggy riff to bring that well known deathcore open note carnage. The bass guitar grumbles through at some points with a higher end tone than usual right near the end before they fly into ‘Kings Amongst Thieves’ and go on a breakdown bonanza! Some of the guitar patterns follow that of slam with the slow paced guitar pattern followed by a blast beat on the drums, showing they can incorporate any heavy style they need be. It’s definitely a great way to get you into this band as around halfway, they throw in such a disgusting breakdown its reminiscent of the 00’s era deathcore intertwined with the destructive showings of grindcore.
It seems their goal with this album was simple; Bring something heavy and bring something violent, to which they’ve achieved those goals tremendously. Track titles such as ‘Assassination Proclamation’ you should feel come with a warning sticker for what you’re about to witness as the band aren’t afraid to throw anything and everything at you to show you how they’re going to make a name for themselves, whether it be from powerful speed to sections that would fit in nicely at an Oceano show. Then you have tracks that seemingly take on a sort of downtempo persona with ‘Dark Daze’ for the most part going as slow as a snail, but being more violent than ever! You can see that this album isn’t afraid of pushing itself out there to have something that could be added to a gym playlist as well as dubbed over a video of people fighting.
Some great highlights on the record are the songs that seemingly take its on trend and separate itself quite nicely and give the album such vibrance. ‘Trauma’ has a really nice bounce to it and doesn’t try to go out of its way to be extreme in parts, especially when the more melodic lead comes into play and gives the whole track a new lease on life. Also what was a nice surprise was the instrumental album closer that sticks out like a sore thumb. Titled ‘Reflection’, the instrumentation don’t try and destroy you, but more give you a nice way to calm yourself right at the end. It was a weird pleasure hearing this and wouldn’t feel out of place if the band decided to attempt some clean vocals cover the track.
Overall, an amazing and crushing debut record which caters and provides for many fans not just in the deathcore scene, but for those who stray outside those boundaries and look for something a bit more than what they usually expect. A superbly heavy album to end your 2016 with.