Our first band of the night, coming out of Leeds, post-hardcore band, Kill The Silence. Opening straight away with some heavy catchy riffs, helping keep things intriguing from the offset. These guys clearly have a lot of energy to give, interacting with the crowd and giving us plenty of reasons to interact back. And in a genre saturated with rather similar sounding music, they manage to theirs feel like it stands out with solid song structures and strong vocal work, their particular sound was rather refreshing to the ears. There was great musicianship from four band members, even with a new to the band bassist and certain instrument malfunctions about halfway through, Kill The Silence performed an incredibly tight set, this combined with the rather welcoming atmosphere the audience was giving off made for a solid baseline for them to rest easy on. 7/10.
Next up in our lineup from the night is Veridian, a six-piece rock formation from Reading, only formed in 2016 and only a year it seems like they are making great progress in their scene, and it is easy to see why. Giving off similar vibes to bands like Young Guns/ Mallory Knox. Their chilled back, high energy style of music helps it feel very accessible to all audiences, their overall sound felt unique for the genre, with each individual band member instrumental parts standing out, solid vocals, unique guitar tones, and intricate drum work. Their overall energy from the set was fantastic, they know exactly what to to do to get the audience interested, giving us plenty of reasons interacted, and along with a packed out house made for a great atmosphere. 8/10.
The Red Jumpsuit Apparatus
The last band of the night, our headliners, The Red Jumpsuit Apparatus, on their 10th-anniversary tour of “don’t you fake it” which they played all the way through during their set. The incredibly intimate venue mixed with a sold-out show made for an incredibly fun and intense atmosphere throughout. My first impression of Red Jumpsuit is that their unique style of highly energetic pop punk/ pop rock seems to be a great crowd pleaser and along with great crowd interaction from the band members, and in turn which got a wonderful crowd reaction from everyone and made for a really engaging environment.
And this mixed with their great musicianship and a strong dialed in sound, which utilizing solid song structures, gripping guitar work and strong vocals just made for an honestly just great overall performance. 9/10
Influential Long Island post-hardcore band Glassjaw have announced the release for their third album, Material Control, on 1 December 2017. It will be the follow up to the band’s second album, Worship and Tribute, which was released in 2002, and their first release since the Coloring Book‘ EP in 2011.
Looking at the cover of Earl Grey‘s latest release, one might wonder if such a band name holds much meaning other than a penchant for hot beverages. All jokes aside, Monchengladbach, Germany’s very own Earl Grey are a band who have surely been treading the hard-worn path to success. Two EP’s down, the band followed these releases with 8000km’s worth of European touring and a slew of success on their home-turf’s DIY punk rock scene. With latest release The Times You Cross My Mind being mastered by Seb Barlow (Neck Deep, As It Is, WSTR), the band look to garner further acclaim within the wider musical community.
The EP opens with 1 minute 37 seconds of adulterated melodic hardcore joy. Nothing bursts out of the speakers, the track revolving around a series of muscular, soaring guitar parts which back vocalist Malte Unnasch’s Comeback Kid-like vocal approach. Never Sleep connects seamlessly with the opener with chugging fury and features gang vocals aplenty. The band don’t particularly take an original approach here, treading the same lines as band’s like The Story So Far, but it’s the sheer force of delivery both from Unnasch and the rest of the band that make them such an irresistible prospect.
The production locks everything in tightly with snappy drums underpinning both the rhythmic and melodic elements well. These elements shine bright on the faster tracks such as Hollow which begins with classic hardcore vehemence before shifting into half-time grooves with minimum effort. Even on the slower moments such as the stomping Snake Hips the band still don’t let up despite offering some beautiful guitar lines ala early Alexisonfire, giving the EP a little room to breathe before kicking into the next belter.
The third EP for the German crew is easily a defining moment in their short career. It pulses with vibrancy and despite this essentially being a modern hardcore record, the songs on offer are just so darn catchy that there is a good chance of seeing them supporting some of the scene leaders in the coming year. Although The Times You Cross My Mind will be many listeners first time hearing Earl Grey, the band are unquestionably worth every second of your time.
The Times You Cross My Mind is released on the 16th July.
Jack The Envious are a London quartet formed, interestingly enough, during core members Nir Perlman and Guy Avnon’s respective military service. After recruiting bassist Guy Checkarov, the band set out to combine their experiences in the forces and band life, distilling it down to produce debut EP Pull You Down. Since the EP’s release, it would seem the band have sought to push themselves, combining punk stylings and a post-hardcore rush for maximum impact. With a string of successful local shows, the band is all set to release their sophomore EP In Your Own Way.
Straight off the bat, the band embrace a dark atmosphere with pulsing synths and music box sounds ascending before they kick in with Shut It Off. It’s a fine start to the EP with a tectonic opening riff, coming across with the same snarling energy that My Chemical Romance embraced on their first couple of records. Single Begging For More starts with choppy acoustics before the songs signature riff makes way for a hooky chorus, vocalist Perlman sounding like a hybrid of The Used’s Bert McCracken and The Movielife’s Vinnie Caruana.
The mix on the EP is strong, the guitars sitting well and creating memorable, anthemic parts and also huge backdrops for Perlman’s snarling vocal jabs. This is demonstrated no better than on the thunderous Guilty which comes complete with a stomping breakdown section and Letlive-esque spoken word part which helps set the song apart from formulaic hardcore structure.
The album closes things off with Never Look Down which is possibly the strongest offering here. The track builds from its ethereal intro and goes onto incorporate the best parts of the record, including huge reverberant guitar lines, gutsy vocals and another huge chorus. As only the second offering from Jack The Envious, In Your Own Way makes it clear that the band are determined to prove themselves as unique commodity of the British music scene. They stand to make their mark with this dynamic and energetic EP.
Less Art; a mixture of members from Thrice, Kowloon Walled City and Curl Up and Die are preparing to drop their debut album; Strangled Light. Describing themselves as “Post-hardcore for post-youths”, this tracks on this album are emotional, dynamic and polishes the work laid before by bands in this genre in earlier years. The album is set for a release date of 28th July via Gilead Media. Teaming up with Brooklyn Vegan, the band are streaming their new single Wandering Ghost at this link.
1) Optimism as Survival
2) Diana the Huntress
3) Mood 7 Mind Destroyer: Guilt
4) Wandering Ghost
5) Pessimism as Denial
7) Crushed Out
8) What Is It In Man?
9) Strangled Light
Less Art is:
Mike Minnick – vocals
Ed Breckenridge – guitar
Jon Howell – guitar
Ian Miller – bass
Riley Breckenridge – drums
Opening up the show for Set It Off came the only UK-native band in Homebound, who played to a filling room of around 30 people and ending on less than half full. Contrary to this, the five-piece produced a really energetic performance of songs old and new to a crowd who were keen to get warmed up. Unfortunately however, vocalist Charlie Boughton sounded like he was having a really hard time singing to the extent that he just couldn’t hit the notes of his own songs in tune which was pretty gutting considering the energy of the band and his clear ability on record. A very energetic set that just lacked that shine that so regularly makes this outfit stand out – not a criticism so much as a simple “unlucky, it wasn’t your day” because Homebound are definitely one to watch. [6/10] (For fans of any pop punk)
By far the heaviest band of the night came up second in the shape of Kentucky post-hardcore quintet Too Close To Touch. The band have been used to playing mixed bills before – just this year they toured with Creeper and Waterparks throughout the US – but nothing to the level of this show. The band gave it everything they had and nailed every single track with absolute precision, smashing through their career-spanning setlist with the utmost energy and passion. As was mildly unsurprising though considering the co-headliners, a large portion of the room weren’t interested in them musically with only a slight nod of the head and short applause following each track which was a huge shame for a band who showed even the more experienced groups on the list how intense a show can get, even as a support. Fantastic set from a brilliant band, do not sleep on this lot. [9/10] (For fans of Hands Like Houses)
The first co-headliner to play was With Confidence, who have had a monumental rise through the last year. This is their second UK headline run (if you can call it that playing before Set It Off) since the start of February when they hit our shores with Broadside, Safe To Say and Milestones, yet in that short period their fanbase has gotten even stronger. Playing through tracks from their debut album Better Weather mixed in with a few of EP songs (namely I Will Never Wait and fan-favourite Godzilla) has worked a treat in recent shows and this was no different. The set was played out with a rather large rubber penis taped to guitarist Luke’s microphone stand much to the amusement of the largely-teenage crowd, yet this charisma combined with the tight musical performance provides a charming show. Set highlights came threefold: a performance of London Lights in its hometown proved massively energetic; Keys fronted by guitarist Inigo Del Carmen in the usual emotional state of the song (he wrote it about his close friend who took her own life, hence the huge emotive connection) and the set closer Keeper which is always filled with pure energy from band and audience alike to see out the show. Another great set from a band shooting for the stars. [9/10]
A good five years ago is when Set It Off started to deviate from their pop punk roots to being a straight-up pop band and the main body of their set only went to prove this. With the collection being taken largely from 2016 effort Upside Down came the lack of substance musically and emotionally with huge portions of the track relying on backing tracks for basslines, backing vocals and even the horn section which sounded especially corny live (made mildly better when guitarist Dan Clermont pulled out his trumpet for a live rendition). The crowd were screaming and going absolutely mad for the band lacking substance the most of any of the bands on the lineup with their setlist, though that being said the encore changed everything. Delving back through the catalogue to Cinematics for a guitar/vocal rendition of Swan Song proved even to the critics in the room that the band do have a certain level of integrity however the set may have seemed, and finishing with Hypnotized carried on the freshness of the encore to the end. Overall, a set saved by both the stage presence and outstanding vocal performances of frontman Cody Carson. and the encore song choices. Set It Off are popular yet seem to have lost themselves in a commercial abyss – hopefully soon they’ll show off their musical ability once more rather than leaving it hidden under backing tracks. [6/10]
Giving you a nice post hardcore supergroup featuring members of Thrice, Less Art are looking to make waves with their newly announced album ‘Strangled Light‘ on July 28th. You can listen to their first single ‘Pessimism As Denial‘ by clicking HERE!
After recently announcing its signing with Rise Records, New York-based The Movielife have revealed their first album in fourteen years! Entitled Cities In Search Of A Heart, this record marks the band’s return to form and their first album since 2003’s seminal Forty Hour Train Back To Penn. You can listen to that first album below!
Toronto’s post-hardcore heavyweights are back! Silverstein have announced the forthcoming release of their eighth studio full length record ‘Dead Reflection‘ which is slated for release on July 14th release. You can check out their first single ‘Retrograde‘ below!
If you wanted to see two of the UK’s most promising up and coming bands, then you now get the chance as Veridian and Rory Indiana have announced a co-headline tour, set to take place in August across eight dates. You can view them below as well as listen to Veridian!