Reviews

The Bronx – BRVNX (V)

bronx v

A purely energy-filled eleven songs that cover the rock spectrum shows that The Bronx have executed a fantastic album front to back - BRVNX may just be their best release yet.

9 out of 10

As their fifth self-titled album under the The Bronx branch of their music, fans are expecting the latest album by the LA punks to be refined and high quality – two features which come in abundance in just about every track.

Opening track Night Drop at the Glue Factory is raw and overdriven from the start, before introducing distorted vocals that bring the sound almost to a hardcore-influenced Foo Fighters vibe which is executed fantastically. Fuzz-fuelled solos and hard-hit pacey drum parts. The seamless transition into Stranger Danger is the first but most certainly not the last, as the five-piece glide seamlessly between sub-genres with every track.

The album demonstrates something for everyone: hardcore elements in Sore Throat, a power-blues feel in Broken Arrow, some softer (almost indie) rock aspects in Side Effects that would fit immaculately into any time of day on Radio X among others, and tracks including Two Birds and Channel Islands have tones almost resembling classic 80’s crunch rock sounds to bring the album a retro side with wah ripping up and down through the frequency bands to provide a depth to the riff sounds throughout all of the guitar fill work present on the song.

It is often easy to pick some standout pieces from albums to separate the wheat from the chaff ahead of listeners’ first experience, but every song on BRVNX is just as strong as each other – the deciding factor on a favourite for fans is likely to be which subgenres of rock they prefer most and how they like the band’s execution of said style!

Vocally, the album is just as diverse as the instrumental styles. Frontman Matt Caughthran manages to pitch his vocal frequencies to cut through the mix through every style of rock The Bronx display so well, showing his diversity when contrasting more hardcore tracks like Sore Throat which features fairly heavily distorted sounds the whole way through with Side Effects which provides far more melodic and dry vocal work.

In terms of production, the band have gelled amazingly with Rob Schnapf (Beck, FIDLAR) to create a collection that showcases the various points of talent they hold in a style where they seem incredibly comfortable. Seamless transitions between elements in every song illustrate the songwriting capabilities they have been honing over the past fifteen years and it feels like that side of The Bronx has come into fruition now more than ever in this cycle.

Overall, the confidence and songwriting prowess of all involved have made this album a force to be reckoned with – a certain contender for a lot of ‘album of the year’ lists!

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